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Singkat cerita, pada tahun 1880 lah musik Keroncong baru benar-benar hadir dan dikenal sebagai identitas musik dari Indonesia.
Akar dari Keroncong ternyata sudah mulai masuk ke Indonesia pada abad ke-16. Musik ini dibawa oleh para pelaut dan budak kapal dari Portugis. Musik seperti ini pada awalnya dikenal dengan nama Fado, di mana namanya itu sendiri merupakan nama bawaan dari Portugis.
The power of monetary funds, the superiority of engineering, as well as the sophistication of promoting ground down standard music. This paper tries to research the “keroncong” music in Indonesia that could continue to be managed or popularized via different strategies and by producing a correct media of advertising such as by tv and radio so that Modern society are familiar to “keroncong” music.
Sampai saat ini, musik Keroncong masih terus diperjuangkan oleh beberapa musisi agar eksistensinya tidak kalah tertimpa oleh jenis-jenis musik lainnya.
precisely the same energy was completed by Didi Kempot and Koko Thole who may have provided new colour to “keroncong” music. They designed efforts to distribute “keroncong” music to a wide array of Culture and also develop the music alone.
While there are lots of new “keroncong” compositions, but the new “keroncong” tunes are hardly ever posted in media.
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music, for a treasure of Indonesian national music, continues to be experiencing a lengthy section Considering that the arrival read more in the Moorish as Portuguese slaves to Indonesia from the sixteenth century. during the very long period of time, the “keroncong” music then, as other kinds of regular music, should face industry music, In particular Western music.
Ada beberapa nama besar musisi Indonesia yang memilih Keroncong sebagai musik utama mereka, atau pun sebagai salah satu jenis musik yang mereka gunakan.
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as a result, “keroncong” artists really should make improvements or modifications that could draw in folks’s interest to “keroncong” music. they must develop song lyrics that reflec the life of society or just take themes which is in accordance to their period of time.
Pada masa itu, para pegiat musik Fado harus menyanyikan lagu-lagu mereka di dalam Gereja Protestan dan secara tidak langsung nada yang biasa mereka gunakan pun berubah menjadi mayor.
Akar dari Keroncong ternyata sudah masuk ke Indonesia abad ke-sixteen dan dibawa oleh para pelaut dan budak kapal dari Portugis.
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Dalam perkembangannya, musik ini mulai dimasukan dengan berbagai macam unsur nusantara, seperti gamelan dan juga suling. Musik Keroncong pun mulai banyak dikenal di seluruh dataran Indonesia, hingga pada akhirnya mulai kembali redup sekitar tahun 1960-an.